Gear We Use (and Discounts)
Here is some of the gear that we use...
We purchase our Gear from Hunts Photo. A pdf file containing links to the gear and software that we use, as well as discounts, can be downloaded here : http://tinyurl.com/cuchara-gear
Tripod. We have three tripods. We love all three and use a particular one depending upon the situation:
Alta Pro tripods have unmatched stability and flexibility, enabling more angle possibilities than ever before. Its innovative Multi-Angle Central Column (MACC) System allows users to move the central column from zero to 180-degree angles in variable vertical and horizontal positions making macro-photography and special wide-angle shots a breeze.
The Instant Swivel Stop-n-Lock (ISSL) System securely repositions the central column in one simple movement, in just a few seconds, while maintaining the tripod's stability. Other features include advanced camera vibration and shock control, legs that adjust to 25, 50 and 80-degree angles, patented premium magnesium die-cast canopy and head, hexagon-shaped central column for extra stability, and non-slip, spiked rubber feet for changing terrains and a removable hook for hanging camera accessories. Alta Pro 263AT is aluminum alloy and has quick-flip leg locks.
Central column moves from 0 to 180 degrees!! Legs adjust to 25, 50 and 80-degree angles
This is an awesome ballhead, lightweight and study. It can act as a gimbal too. Can be used with lenses like the 300mm f2.8 or 400 mm. Have a longer lens? Then use a Wimberly.
|Induro BHL3 Low Profile Ball Head (Supports 88 lbs)|
Induro BHL low profile ballheads provide support with exceptionally high load capacities. Oversized head lock knob with unique integrated lock limiter tension control, independent panning action lock and much more. Features an Arca-Swiss style quick release system with double safety lock and built-in bubble level for maximum flexibility.
I consider an L bracket a MUST for serious photographers.
This Kirk L-Bracket for Canon EOS 7D is a right-angle, quick-release bracket that fits on the base of the EOS 7D, allowing you to quickly move from vertical to horizontal format without moving your tripod head or changing your position.
It allows you to keep the weight of your camera over the center of the tripod, rather than pulling it off to one side if you use a standard plate and a ballhead or tripod head. It also is great when going from horizontal to vertical and back because you do not need to reposition your composition.
Extension tubes, a must for macro photographers. Use these on your 70-200 to allow closer focusing. Keep one in your vest when photographing
10% off Interfit 24-inch Cool-Light Pop Up Tent Kit with 2 Flourescent Lights
or use coupon code: 3aUdJ
WE USE OUR LIGHT TENTS ALL THE TIME!
WE USE OUR LIGHT TENTS ALL THE TIME!
24" x 24" Pop up Light Tent
The easy way to control both Shadows and reflections. The tent is supplied with a blue background cloth which is held in place by Velcro strips to facilitate easy removal or changing of the background.
A removable front panel allows for further control of reflections w hen photographing reflective subjects. The tent collapses down to fit into the circular zipped bag supplied. Folds to 11"
Kit Contains: 2 x INT103 Flourescent (Daylight Tube) heads, 2 x COR750 Air damped stands, 1 x 24" Light tent
The Fluorescent Light Box Tent Kits use Smith-Victor's new line of FL3 Fluorescent lights that are very economical to operate. The FL-3 uses "flicker free" compact fluorescent bulbs with true "daylight" color temperatures (5500K). The bulbs have a life of approximately 10,000 hours and produce virtually no heat. Excellent for shooting food, plants, animals, scientific and medical applications.
Kit Includes: 2 DigiLight FL-3 Fluorescent Lights, 6 26-Watt Fluorescent Lamps, 2 Raven RS8 8' Black Aluminum Light Stands, 1 28" Light Box Shooting Tent, 1 Imaging with Light Guide
1. Enter the discount use code breaphotos for 15% off Topaz products
2. PhotoMatix -- 15% off Photomatix software and plugins
· Enter code BREAphotos (not case-sensitive) to get a 15% discount
3. Flypaper Textures
4. 2 Lil Owls -- Textures, Presets, Actions and More For Creative People
WB Hunt Co., Inc.
Gary Farber email@example.com
100 Main St., Melrose, MA 02176
Flashlights for night photography and light painting.
We love night photography and have purchased a plethora of flashlights, some are great and some not so great. Here are our favorites, and with an explanation of which we use under what conditions.
Do not use a white light flashlight at night for routine work, you will be blinded and have no night vision. We went to a recent night photo workshop and people had all kinds of bright white lights, and head lamps, they had no night vision and when they looked at someone they became blinded too.
This is the red flashlight for seeing in the dark. red preserves your night vision and allows you to see camera dials, etc. http://amzn.to/1N9vdWp
This one is best for light painting (and it has red and Blue filters for fun color effects). http://amzn.to/1N9vtVp
This one is good for painting things far away, like lighthouses and rocks. We find it too bright and it has a hot spot when you are close, but it is perfect for things further away. For things closer better to spend more time with a dimmer more even flashlight like the one above. http://amzn.to/1N9vJUg
A headlamp is wonderful to have. It is great for hands free walking at night. preserves night vision. Do not use when photographing, as light will leak in thru viewfinder,etc. if you are standing behind your camera. http://amzn.to/1N9vLLQ
This last one has its own tripod, so it is great when you are on a dark night and need to focus. Turn it on, use auto focus, switch focus to manual focus and turn off flashlight. http://amzn.to/1OkgRGs